One of the great things about the New York theatre is its market value, aimed at an audience so vast and eclectic that revivals of old classics are every bit as welcome as the most innovative of new experiments. Until you suffer through the dismal autopsy of a durable classic as poorly conceived and amateurishly executed as the latest Broadway resuscitation of Tennessee Williams' 1944 play The Glass Menagerie, with the erstwhile Cherry Jones giving the worst performance of her career. Then you m...
One of the great things about the New York theatre is its market value, aimed at an audience so vast and eclectic that revivals of old classics are every bit as welcome as the most innovative of new experiments. Until you suffer through the dismal autopsy of a durable classic as poorly conceived and amateurishly executed as the latest Broadway resuscitation of Tennessee Williams' 1944 play The Glass Menagerie, with the erstwhile Cherry Jones giving the worst performance of her career. Then you m...
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